Sławomir Sikora
Courses
Anthropological Aspects of Death
Anthropology of film - anthropological film
BA Seminar
Practicum in field ethnography. Visuality in culture
Reflexive Anthropology
Visual Anthropology. An Introduction
Wedding films

T
he aim of this project is to document and analyze the process of creating images of contemporary wedding ceremonies in post-traditional culture. It will focus on new forms of artistic expression and their perception.

 
Making it interesting...

 The idea to make a film on mediatization of wedding rituals was developed during ethnographic research on visuality in culture. Nowadays rituals are in the process of mediatization and media become more and more ritualized. Wedding ceremony is a perfect example of it. The film juxtaposes anthropologists' footage shot during the wedding of a Polish-English couple and interviews made later on with original material shot by the wedding photographers and the film they made of it. This heteroglotic narration is just as much interesting image of contemporary wedding ceremony as meta-commentary on a global phenomenon of wedding films.

 

 Camera

Tomasz Saliński
Jakub Czerwiński
Sylwia Chorązka
Łukasz Suszek
Sławomir Sikora
Karolina Dudek

 

 

 Editing

Szymon Pietrowski

 

A Film by

Karolina Dudek
Sławomir Sikora

 

 

73', Institute of Ethnology and Cultural Anthropology 2009

 
Nixongate

Nixongate is an experimental ethnographic film about a traditional phenomenon – wedding gates – an important part of a wedding ritual. The gates are built on the way to and from the church. In a small village in the South of Poland they have been organized for the past 30 years by Nixon. His original installations are built with the use of different markers of liminality, flags, road signs and a portrait of Lenin. He creates a world that is just as much local as it is global. His helpers are children whom he pays with sweets.

 

NixongateNixongateNixongate

 

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